In Israel, Palestinian-Christian burial sites are often found vandalized and desecrated by members of other religious groups. Artist Dor Guez, founder of the Christian Palestinian Archive, has used his work to tell the stories of this minority group, their religious practices, and the discrimination waged against them for their heritage and beliefs. His exhibition 40 Days featured photographs from the Archive as well as video installations to narrate the losses of the Christian-minority families affected by this violence.

Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories--their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures.

This book, published alongside an exhibition takes the 2005 painting 'The Eye of Go' as its starting point, and looks at how the circular geometric motif of this painting - part of a way of thinking for Orozco, a way to organise ideas of structure, organisation and perspective - migrates onto other work, recurring in other paintings, sculptures and photographs.

Isa Genzken is arguably one of the most important and influential female artists of the past 30 years, yet the breadth of her achievement–which spans sculptures, paintings, photographs, collages, drawings, artist’s books, films, installations, and public works–is still largely unknown in the United States. Published in conjunction with the first comprehensive retrospective of the artist’s epically diverse body of work.