This book offers a snapshot of American sculpture at the start of the 1980s, showcasing diverse artists and styles of the time.

This major monograph looks at the work of seminal Palestinian artist Abdul Hay Mosallam Zarara, who used his work to decry the violent suppression of his homeland and promote international solidarity worldwide.

A Lebanese Archive is based on a collection of archival photographs from Lebanon and the Middle East which came into the hands of Ania Dabrowska in 2010 when she was a SPACE artist-in-residence at Arlington hostel in Camden, London. It belongs to Diab Alkarssifi, a Lebanese emigre who was living there at the time. The images were taken and collected by Alkarssifi over a lifetime. It was a chance encounter that gave birth to the archiving of a huge collection, and the developmen of a new body of work by Dabrowska - published here for the first time.

DOMESTIC is grounded in research on the food production industry, and focuses on relationships between humans and animals, eaters and eaten. The project stems from a batch of found 16mm agricultural and advertising footage shot in America in the 1960's; a poignant time for industrial and technological change in agriculture. As the found 16mm film aged over time, portions became pierced by the 16mm projector needing to be snipped off bit by bit. Hand printing these isolated strips in the darkroom form a basis of DOMESTIC's visual narrative, with positive to negative and negative to positive transitioning.

‍

This book contains over 330 Namio Harukawa illustrations, a short manga, seven unfinished sketches, two photos of his atelier, and essays by Shigeru Kashima.