Hans-Peter Feldmann was a German conceptual artist known for his obsessive collecting, archiving, and rearranging of everyday images and objects to explore themes of memory and time. This monograph contains a number of his works from the late 1960s.
Sifting through the prosthetic memory of our contemporary time, the ADDPM Program aims to scale a collective human legacy. The book becomes encyclopedia on the cultural and cognitive flattening of human networked recollections.
Sifting through the prosthetic memory of our contemporary time, the ADDPM Program aims to scale a collective human legacy. The book becomes encyclopedia on the cultural and cognitive flattening of human networked recollections.
Feldmann has become increasingly noted for his commentary on the way we archive photos, sending up the everyday from a very personal perspective. Accordingly, apart from the title page, this photo album contains no text. Even the frontispiece is a photograph of boxes from Feldmann's picture archive--amassed over many years and comprising images from magazines, advertising supplements, photography books, postcards and collectibles.
This book contains the transcript of David Bailey and Andy Warhol's TV documentary, with taken by David Bailey. Featuring Leo Castelli, Jane Forth, Jane Holzer, Brigid Polk, Henry Geldzahler, Pat Aast, Mrs Warhol, Dale McConarthy, Richard Bernstein, Paul Morrissey, Madame Duchamp, Philip Johnson.
A collection of photographs by David Hockney, published in 1982 for the exhibition of the same name at the Centre Pompidou in Paris.
David Hockney's examination of his interest in photography, his thoughts on the influence of Picasso and Rembrandt and of Eastern conventions of perspective and their relevance to his work.
Linder Sterling's work had its first exposure in the punk fanzine The Secret Public and as art for the sleeve of the Buzzcocks' first single, "Orgasm Addict." Linder's multidisciplinary work, work that has led observers to call her the missing link between Yoko Ono and Tracey Emin. This first book, a rediscovery and a debut at once, includes contributions from writers and cultural figures including Philip Hoare, Jon Savage, Andrew Renton, Lynne Tillman, Paul Bailey and Morrissey.
Both sacred and profane, Mountain Ecstasy is the cult book by Penny Slinger and her partner at the time, Nik Douglas. Working with found images – many from Slinger’s own collection of erotica – and poetry, the resulting book is a hyperreal celebration of the Tantric world.
Batia Suter's work intuitively situates found images in new contexts to provoke surprising reactions and significative possibilities. This volume follows on from the first Parallel Encyclopedia, published originally in 2007. Underlying themes of Suter's practice are the "iconification" of old images, and the circumstances by which they become charged with new associative values.
With many never-before-published photographs taken by the artist, as well as paintings, drawings, sculptures, prints, and films, this volume offers an unparalleled examination of Pablo Picasso’s relationship to photography.
Sebastian Riemer’s Press Paintings series looks at the waste paper produced in the last century by the press photo industry. He examines numerous images, analysing the manual work that went into editing them, a primitive process from today’s perspective. The works, produced in the period since 2013, blur the boundary between photography and painting, between the documentary and its opposite.
This artist’s book by Richard Prince features The Entertainers (1982–83), an early series of photographs inspired by the nightclubs, theaters, and restaurants of New York’s Times Square.
