The Situationist Times #1 contains a diverse mix of essays, legal defense transcripts, political manifestos, avant-garde comics, and musical scores. Co-edited by Jacqueline de Jong and French pataphysician Noël Arnaud, the issue spans 30 leaves (64 pages) printed on multi-coloured paper stocks.

Unlike the later thematic issues focused on topology (situlogy), Issue 2 functions primarily as an ideological and political journal that critiques the 1962 split within the Situationist International (SI) and addresses the heavy state censorship and legal targeting of avant-garde artists.

The Situationist Times No. 3 (January 1963) maps out an exhaustive visual and philosophical index of knots, spirals, and topological forms. The issue deliberately weaves scholarly critique, mathematical mapping, avant-garde illustrations, and experimental fiction.

The Situationist Times No. 4 is famously known as the "Labyrinth Issue". Spanning 184 pages, it was edited by Jacqueline de Jong and conceived as a dérive (a drift), where readers navigate a maze-like layout of imagery and multi-language texts. Features archival imagery and essays all about labyrinths, neolithic and ancient sites.

Curated by editor Jacqueline de Jong, the issue explicitly explores the topological problem of rings, interlaced rings, and chains across mathematics, poetry, and art. Featuring essays, images, poetry, drawings and photo-collages by French artist Max Bucaille.

This issue contains 33 lithographs of artworks provided by 33 international roster of avant-garde and surrealist-leaning artists, including Asger Jorn, Roberto Matt, Guido Biasi, José Gamarra, Lea Lublin, Cristina Martinez and more.