This book is an insight into the idiosyncratic flourishes which make a house into a home. Photographer Bruce Weber takes the reader around the world, looking at how creative individuals' homes reflect their own particular personalities.

The inaugural volume in the All-American series features numerous projects by Bruce Weber, including profiles of photographer Pirkle Jones, football legend Cy Ellsworth, mountaineer Bradford Washburn, and Montana rancher John Hoiland. Also features drawings by Paul Stone.

Over the past eleven years, the photographer and filmmaker Bruce Weber and his partner Nan Bush have published the book series All-American featuring works by artists, photographers, essayists, poets, and personalities whose lives and accomplishments they wish to celebrate. This edition features a portfolio of elephant photographs by Bruce Weber, Kennedy family portraits by Betty Kuhner, and Marlon Brando, as seen by Sam Shaw. Also included are Gilles Larrain, Phil Ochs, Mary Lloyd Estrin, Mary Randlett, Joel Sternfeld, Ranee Flynn, paintings by Forrest Bess, and Joe Coleman collages.

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All-American: Short Stories features Bruce Weber photos of Pietro and Andrea Clemente and a profile of Elizabeth Taylor at home. This edition also includes the interior drawings of Jeremiah Goodman, Kentucky photos by William Gedney, figure studies by George Daniell, and a chapter of poetry by James Schuyler.

Bruce Weber’s first monograph, published by Twelvetrees Press in 1983, was his breakthrough collection, a powerful sampling of images from his early career that are still considered among his most iconic. The book is divided into eight sections: “Brothers”; “Matt Dillon,” a series of photographs drawn from several sittings with the young actor; “Notebook,” an eclectic sampling of early editorial and personal work; “Lifeguards;” “Clammers;” “Hall of Fame” and “Jeff,” both photo-essays of Jeff Aquilon, a championship swimmer and star of many of Bruce’s early GQ editorials. Now among the rarest of his collections, this book set the standard for all of Bruce’s future publications.

Bruce Weber’s second eponymous monograph is a multidimensional exploration of masculinity. These photographs present a wide array of shifting archetypes and myths that inform society's sense of the masculine – the tough guy, the wild man, the heroic athlete, the courageous soldier, the pensive artist, the family man, the sensitive troubadour, the object of desire.

Chez Walti reveals Pfeiffer’s importance as a pioneer of contemporary photography and laid the foundation for his rise from a classic “artist’s artist” to a world-renowned artist who went on to work for international magazines like Vogue and shoot campaigns for luxury brands like Bottega Veneta.

Annotated in his wry, inimitable voice, Juergen Teller presents over three decades of fashion and editorial work in a groundbreaking volume that combines photography, collage, and candid (and often humorous) autobiography.

When Bruce Weber opened the Tokyo iteration of his “Filmography” exhibition in 2005, he collaborated with the distributor Kinetique to release a limited-edition catalogue of the show. Drawing extensively from imagery related to each of his feature films and shorts, this book celebrates the fantasies and aspirations of cinema. In addition to showcasing his own film work, Bruce celebrates the talents of directors and actors who inspire him, everyone from Michelangelo Antonioni and Pedro Almodovar to Benicio del Toro and Vanessa Redgrave. The book includes an essay Bruce wrote in tribute to the late, great actor, River Phoenix, the subject of a film he never got to make. In this essay, and in each of these photographs, Bruce presents the elusive dreamworld of the big screen as a space of freedom, innocence and the possibility of personal expression.

In Love with Beauty offers an unprecedented chronological overview of the legendary Walter Pfeiffer, spanning four decades of photographic eroticism and wit, classical serenity and ornamental playfulness, artifice and immediacy. Initially a painter, draughtsman and graphic designer, Pfeiffer used photographs as aide-memoirs for large-scale Photorealist pencil drawings, but quickly developed a genuine passion for photography and, inspired by a Warholesque cast of handsome drifters and stylish women, began to evolve a trademark style.

Special supplement to influential eighties men’s magazine Per Lui which featured the work of  many well known fashion photographers through its time: Bruce Weber, Mario Testino, Herb Ritts, Steven Meisel amongst them. In this extended 80-page editorial, Bruce Weber and crew based out of the Shangri La Hotel in Los Angeles photographs a summer at the beach.

A unique album of photographs featuring Peter Johnson, an athlete turned muse Weber discovered on location at a wrestling camp in Iowa. Taken over four consecutive years, the photographs show the evolution from adolescence to manhood, as Johnson is seen in various states of dress and undress, in diverse locations around the world. Includes brief texts by Walt Whitman, Robert Frost, T.E. Lawrence, Shel Silverstein, and Bruce Springsteen.

Welcome Aboard! Photographs 1980–2000 is, at the same time, a monograph on Pfeiffer’s photographic work and an artist’s book, a photo-novel all of its own. With simple means Pfeiffer creates intelligent and classic images of beauty and bliss, imbued with a wistful awareness of their artifice. Stylish, suggestive, and erotic, his images are an encyclopaedia of desire.