Julio Mario Santo Domingo was a collector and visionary related to the subjects of drugs, sex, magic, and rock and roll. A library of more than 50,000 items, it contained everything from rare manuscripts and photos to posters, bottles, letters, opium pipes, and pinball machines. Exploring the innumerable influences of mind-enhancing drugs on art, science, and politics over the centuries, Santo Domingo's collection contained work by diverse figures including Andy Warhol, Timothy Leary, Sigmund Freud, Allen Ginsberg, the Rolling Stones, Aleister Crowley, and many more.

Contextualising Anni Albers' early career at the Bauhaus, and her teaching years at Black Mountain College, this showcases major commissioned works, wall hangings, designs for commercial use, preparatory drawings, jewellery designed and made by Albers and a selection of her prints.

Marking the 100th anniversary of the First Manifesto of Surrealism and the founding of the Bureau of Surrealist Research in Paris in 1924, Archive of Dreams is dedicated to the surrealist movement as well as the networks it engendered and the artistic stimuli it provided in the 20th century. The publication shows how the practices of the avant-gardes blurred the boundaries between dream and reality, between the traditional, passive notion of the archive and the idea of active, innovative artistic experiment.

Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, Derek Jarman’s sketchbooks are part autobiography and part social history, bursting with the energy and creativity of this groundbreaking artist.

Through exquisite reproductions presented in a unique accordion fold-out format, Diane Arbus: The Libraries showcases books and other objects from the artist’s collection as displayed in the international museum retrospective, Diane Arbus: Revelations.

In the Jpegs series, German photographer Thomas Ruff exploits this imprecision in digital technology, locating online jpegs and enlarging them until the pixels emerge in a chessboard pattern of near abstraction.

Full-colour reproductions of Duchamp's notes – grouped as "Infrathin," "The Large Glass," "Projects," and "Word Plays."

The Mechanical Hand: Artists' Projects at Paupers Press focuses on the work of Paupers Press, a fine art print studio that concentrates on etching, lithography and relief printing. The studio has worked with many of the leading contemporary artists working in collaboration with the artists to produce limited edition and unique prints, books and portfolio collections. The book examines the collaborative relationship of the studio and the contemporary artists they work with.

In this book, artists LaBelle and Le Fort present the library as an organic space and the destination of an intellectual and sensuous journey during which thoughts expand quickly beyond the books displayed on the shelves.

In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist's books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha's books and an appendix listing all known Ruscha book tributes.

What's In My Library is a series of Prince's photographs put to a list of Prince's most loved books from his personal collection. Published in 2009 by the Journal and Sadie Coles, it is yet another highly collectable book from Prince and one that features his rare photography work.

What They Saw: Historical Photobooks by Women, 1843 - 1999, is an anthology of an ongoing examination of photobook history with a specific focus on photobooks created by women – from photography's beginnings to the dawn of the 21st century