
This book is document of the centennial history of the The University of California containing more than 100 rich photogravures of university life by Ansel Adams.

Born and raised in Belgrade, Boogie first began photographing during the Yugoslav Wars, which ravaged the Serbian territory throughout the 1990s. Growing up during these wars ignited Boogie’s attraction to the darker side of human existence; his distinctive photographs often focuses on rebellion, unrest, and the disenfranchised. In this book, he documents the people of Moscow – people sculpted by a brutal, concrete landscape, fighting to survive.
For Naked City, his first collection, photographer Weegee cruised the streets of 1940s New York in the early hours of the morning in search of the sensational.
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Beat Streuli: New York City 2000–2002 presents a striking portrait of urban life at the turn of the millennium through the lens of Swiss photographer Beat Streuli. Focusing on the anonymous passersby who populate New York's bustling streets, Streuli captures fleeting expressions, gestures, and glances that reflect the energy and diversity of the city. His large-format, candid photographs offer an unfiltered view of the everyday—poised between intimacy and detachment—revealing the quiet drama and individuality found within the urban crowd.

Born and raised in Belgrade, Boogie first began photographing during the Yugoslav Wars, which ravaged the Serbian territory throughout the 1990s. Growing up during these wars ignited Boogie’s attraction to the darker side of human existence; his distinctive photographs often focuses on rebellion, unrest, and the disenfranchised. In this book, he documents the people of Moscow – people sculpted by a brutal, concrete landscape, fighting to survive.
For Naked City, his first collection, photographer Weegee cruised the streets of 1940s New York in the early hours of the morning in search of the sensational.

This book is document of the centennial history of the The University of California containing more than 100 rich photogravures of university life by Ansel Adams.
.jpg)
Beat Streuli: New York City 2000–2002 presents a striking portrait of urban life at the turn of the millennium through the lens of Swiss photographer Beat Streuli. Focusing on the anonymous passersby who populate New York's bustling streets, Streuli captures fleeting expressions, gestures, and glances that reflect the energy and diversity of the city. His large-format, candid photographs offer an unfiltered view of the everyday—poised between intimacy and detachment—revealing the quiet drama and individuality found within the urban crowd.